Free yourself!

Layerless editing

Layerless editing. Incredibly intuitive, and easy to use, without the frustration of complicated editing modes or layers. A more interactive approach to image editing will let you express your creativity more freely!

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A new way to interact with images making complex creations accessible to all

We have created a new way for objects and backgrounds to interact. Gone are traditional and complicated layer systems and in comes layerless editing. Minimalist design, easy and intuitive tools powered by artificial intelligence will allow you to quickly create images you never thought possible. You don't need to take a class to use Depix and your creations will rival those who did. Once you try it, you will not go back. 

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Things you can do

With Depix®

What do you need to do today?

  • 01

    Remove background

    Background removal made simple. Just click on what to keep, the rest is gone.

  • 02

    Product shot

    Once the background is removed, you can replace it with anything you want. Try white for e-com or get creative with our stock photo library!

  • 03

    Swap!

    Depix remembers your settings and preferences, just hit the swap button and new objects, variants and ideas come in where you need them.

  • 04

    Profile pictures

    Our precise background removal tool handles all shapes and textures, including hair for a great looking pic in any background you want.

  • 05

    Mood boards

    With our two canvas design you can quickly cut and paste objects into your board, whatever you need to visualize!

  • 06

    Just create!

    With your images or our free stock photos and illustrations, you have everything you need to create beautiful compositions.

Any questions? Pretty sure we have answers

  • Depix has a new innovation called layer less editing which simplifies the process of ordering multiple elements in an image. Instead of selecting a layer before you take action on it to bring it forward or backward, you simply click on the element and push or pull it into position relative to other objects.

Final composition